Friday 24 May
 
 

Iron Aidan

Aidan Carroll Quartet
7 p.m. Wednesday, May 29
University of Central Oklahoma Jazz Lab
100 E. Fifth, Edmond
ucojazzlab.com
359-7989
$5-$7
05/22/2013 | Comments 0

Beat street

Lucky Date with Kids at the Bar and Crystal Vision
9 p.m. Wednesday, May 29
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$20
05/22/2013 | Comments 0

Sun rises

Sunny Side Up with The Last Slice and Classy San Diego
8 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$8
05/22/2013 | Comments 0

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0
Home · Articles · CDs · Pop · Amanda Earhart — Tell Me What You...
Pop

Amanda Earhart — Tell Me What You Want


Alyssa Grimley February 13th, 2013  

Amanda Earhart’s sound is hard to categorize. Think today’s pop, but with fewer thump-thump club beats and synthesizers, traded for more undoctored vocals and guitar. Throw in a dash of country twang and a sprinkling of piano and violin, and that’s a start.

Her debut EP, Tell Me What You Want, is characterized by funky, bright instrumentation with a mellow groove that harkens back to an age before Auto-Tune.

Born and raised in Oklahoma City, Earhart shows off an impressive vocal range throughout the six songs. Whether she’s singing low and level, like in “Tell Me What You Want,” or soaring into the upper registers, as in “To the Top,” her voice never sounds strained. The instrumentation, arranged by Earhart and songwriting partner Lyn Olson, complements the vocals well.

“Brand New Day” has a leisurely, bluesy guitar and running, locomotive percussion in the background. “You Get What You Need,” my favorite of the EP, features sonic, echoing guitar chords along with staccato vocals and catchy lyrics.

Like much of modern pop music, the songs are not particularly profound, but there is passion here not found among formulaic chart-toppers. Earhart has talent, and this release showcases it well.

I wish Earhart would release an “unplugged” version featuring just her, a microphone and an acoustic guitar. For all the interesting music here, her voice is the No. 1 reason to give it a listen. —Alyssa Grimley


 
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