Saturday 19 Apr
 
 

Odyssey of the mind

Jacob Fred Jazz Odyssey 

with Culture Cinematic and ADDverse Effects

9 p.m. Friday

Twisted Root Gallery

3012 N. Walker Ave.

twistedrootgallery.com

208-4288

$10

04/16/2014 | Comments 0

Frndz with benefits

Boyfrndz with Bored Wax and The Hitt Boyz

9 p.m. Sunday

Blue Note Lounge

2408 N. Robinson Ave.

thebluenotelounge.com

600-1166

$5

04/16/2014 | Comments 0

Saddle up

Horse Thief with Deerpeople and Pageantry

8:30 p.m. Friday

ACM@UCO Performance Lab

329 E. Sheridan Ave.

acm-uco.com

974-4700

$5-$8

04/16/2014 | Comments 0

High heaven

Glow God with Weed, Feral Future and Power Pyramid

7 p.m. Friday

Capitol House

$5

04/09/2014 | Comments 0

Darkened tones

Chevelle with Nothing More and Middle Class Rut

6:30 p.m. Monday

Diamond Ballroom

8001 S. Eastern Ave.

diamondballroom.net

677-9169

$24-$29

04/09/2014 | Comments 0
Home · Articles · CDs · Rock · The Grown Ups — Dark Hearts
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The Grown Ups — Dark Hearts


Zach Hale February 27th, 2013

It's pretty clear that The Grown Ups know what good music sounds like. When the band ceases its emulation of good music and lets its creativity flow naturally, the Oklahoma City collective's new album, Dark Hearts, offers flashes of genuine talent.

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Take "Catalina," for example: the consummate portrayal of the group’s strengths. The song's first half consists of a hushed guitar strum, sparkling piano and a steady, mid-tempo rhythm to guide them. It's morose and contemplative in a way that's almost reminiscent of the dampened grandeur Modest Mouse perfected on The Moon & Antarctica.

Yet at the track's halfway point, as if to fend off the melancholy, "Catalina" is reborn as a jovial, synth-driven dance number with an instantly infectious hook. The left turn represents not only a stark shift in dynamics, but also the originality that's largely unexplored throughout Dark Hearts’ remainder.

Each song here is easily discernible from the others. Yet it's clear the band made a strident effort to mix things up from track to track — an admirable, but ultimately contrived endeavor. Some take on a darker, more industrial temperament ("Beauty and the Beast," "Never Get Out"), and these are the moments that distract from and, frankly, flat-out ignore The Grown Ups’ strengths.

Ironically, the more lighthearted melodies offer the most mystique — moments when The Grown Ups’ talent and sincerity are plainly evident. Ultimately, however, Dark Hearts sounds like a band still in search of its true self. —Zach Hale

 
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