Wednesday 19 Jun
 
 

Superior sound

Em and the MotherSuperiors with Honeylark and Feathered Rabbit
10 p.m. Friday
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$7

06/19/2013 | Comments 0

It might get loud

Okie Noise Fest 2 with Psychotic Reaction, Copperheads, Fire Bad! and more
3 p.m.-midnight Saturday
Bad Granny’s Bazaar
1759 N.W. 16th
free
06/19/2013 | Comments 0

Fox news

Foxtrot Uniform with Them Hounds
9 p.m. Friday
Blue Note Lounge
2408 N. Robinson
thebluenotelounge.com
600-1166
$5

Foxtrot Uniform with Quaker City Night Hawks
9 p.m. Saturday
Grady’s 66 Pub
444 W. Main, Yukon
gradys66.com
364-8789
$7
06/19/2013 | Comments 0

Sweet slumber

The technology boom of the last two decades has made life easier in a variety of ways. In the music world, widespread computer use has spawned a modern-day compositional renaissance.
06/19/2013 | Comments 0

Beau bridges

Beau Mansfield Trio
10 p.m. Saturday
The Bluebonnet Bar
321 E. Main, Norman
447-2480
06/19/2013 | Comments 0
Home · Articles · CDs · Rock · The Grown Ups — Dark Hearts
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The Grown Ups — Dark Hearts


Zach Hale February 27th, 2013

It's pretty clear that The Grown Ups know what good music sounds like. When the band ceases its emulation of good music and lets its creativity flow naturally, the Oklahoma City collective's new album, Dark Hearts, offers flashes of genuine talent.

grownupscd

Take "Catalina," for example: the consummate portrayal of the group’s strengths. The song's first half consists of a hushed guitar strum, sparkling piano and a steady, mid-tempo rhythm to guide them. It's morose and contemplative in a way that's almost reminiscent of the dampened grandeur Modest Mouse perfected on The Moon & Antarctica.

Yet at the track's halfway point, as if to fend off the melancholy, "Catalina" is reborn as a jovial, synth-driven dance number with an instantly infectious hook. The left turn represents not only a stark shift in dynamics, but also the originality that's largely unexplored throughout Dark Hearts’ remainder.

Each song here is easily discernible from the others. Yet it's clear the band made a strident effort to mix things up from track to track — an admirable, but ultimately contrived endeavor. Some take on a darker, more industrial temperament ("Beauty and the Beast," "Never Get Out"), and these are the moments that distract from and, frankly, flat-out ignore The Grown Ups’ strengths.

Ironically, the more lighthearted melodies offer the most mystique — moments when The Grown Ups’ talent and sincerity are plainly evident. Ultimately, however, Dark Hearts sounds like a band still in search of its true self. —Zach Hale

 
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