Monday 20 May
 
 

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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SXSW 2013: OK Sweetheart / Defining Times / Samantha Crain


One Sweet set.

Stephen Carradini March 15th, 2013

More observations from The Buffalo Lounge ...

ok sweetheartOK Sweetheart - Photo: Stephen Carradini

OK Sweetheart knows how to write a pop tune, whether it’s a slow ballad or a peppy, full-band sing-along. The Tulsa quintet showed both sides of their prowess during its set. The latter were marked by enthusiastic clapping from the band and audience.

This energy carried over to the songwriting, as the bass lines were notably fun and the dual keyboards made for great melodies. Erin Austin’s lead vocals were the centerpiece of both the up-tempo and down-tempo songs, as her dusky alto voice covered both tasks easily.

The delicate beauty of the gentle guitar-and-voice arrangements in the slow songs framed her voice beautifully. Both the fast and slow numbers were enthusiastically received, and I came away from the set smiling.



Defining Times’ whirling, turbulent rock sent the night in a completely different direction than OK Sweetheart.

The Oklahoma City indie-rock band’s work is impressive in its control of mood and atmosphere, largely playing up the instrumental interactions instead of the vocal melodies to create vast, sweeping sections of music, as in “Swan Dive.”

They aren’t just an inscrutable artsy band, either; the music can be very pretty as well There was still plenty of clapping along, as the group encouraged the audience to get into the songs with them.

I picked up their new CD, Separate Tongues, and I look forward to hearing it.



Samantha Crain’s gentle folk could barely drown out the banging of drums that off Sixth Street, but even with that distraction, her gripping tunes more than had my attention.

Armed with a distinctly memorable voice, notable lyrics and a strong band, the Shawnee native charmed her way through the set with smiles, jokes and stage banter. The tunes themselves shone, with the spare arrangements complementing her voice perfectly; as heard on her Kid Face disc, Crain’s new songs have a easygoing confidence and maturity that make them a joy to listen to.

It’s easy to see why Rolling Stone recently named her one of 20 must-see acts for SXSW 2013. An excellent set all around. —Stephen Carradini

Hey! Read This:
Defining Times interview     
Samantha Crain interview   
Samantha Crain’s Kid Face album review     


 
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