Thursday 24 Jul

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
Home · Articles · Music · Music · Formidable fest

Formidable fest

The Joy Formidable headlines the sixth annual Norman Music Festival, three free days of tons of tunes.

Joshua Boydston April 24th, 2013

Norman Music Festival 6 featuring The Joy Formidable, JD McPherson and more
Downtown Norman

The Joy Formidable
Photo: James Minchin
Hailing from the United Kingdom, The Joy Formidable hardly hides what type of band it wants to be: U2. The group plays a similar bold brand of alternative rock.

Since forming in 2007 and spending a few years packing that big sound into small to mid-sized clubs, the band is finding its way onto platforms better suited for that boisterous energy and impervious confidence.

The group’s appearance Saturday at the Norman Music Festival marks another step up the ladder.

“It’s going to be the first festival we’ve ever headlined, I do believe,” said singer/guitarist Rhiannon “Ritzy” Bryan. “That’s so exciting. It’s where we want to be.”

The Welsh trio is more than just bark; its debut, The Big Roar, won over rock heavyweights, with Foo Fighters’ Dave Grohl declaring its “Whirring” as 2011’s “song of the year.”

“When it comes from a fellow musician who has the type of lifestyle that you have, that really means something,” Bryan said. “It was very special.”

Grohl’s actions spoke louder than his words; he handpicked The Joy Formidable to open for Foo Fighters on tour.

“It felt like the right way to be invited,” Bryan said. “There was no middleman or because we were on the same label, none of that bullshit. It was band-to-band camaraderie.”

The act remained undaunted by the expectations heading into its sophomore album, January’s Wolf’s Law, vowing to worry about nothing but being itself.

“The only thing that you think about is making music that we can stand behind,” Bryan said. “There’s always been a real sense of creative integrity. We make records that we want to play. You can’t control anything else.”

Any external pressure placed upon the three only made them stronger, as expressed in the title’s slight twist on the 19th-century Wolff’s law.

“It’s a scientific term describing how bone adapts to the stress put upon it. We adopted it into our own with a little wordplay,” Bryan said. “It definitely evokes the primal, wild energy of the music we make.”

The rest of 2013 finds The Joy Formidable playing a host of European festivals, with an intent to return to North America. No matter the stage on a given night, the outfit plans on playing like there are 30,000 people watching.

“You always have to stay true to the band you want to be,” Bryan said.

JD McPherson
Photo: Samantha Franklin
For those about to rock

Hell-bent on leaving NMF with significantly worse hearing than when you entered? There’s a good chance you’ll leave with a new tattoo, a chipped tooth and/or a black eye, as well.

Broken Arrow native JD McPherson (8:15 p.m. Saturday) brings the refreshingly vintage rock ’n’ roll sound heard on Signs & Signifiers to his headlining slot on the Sailor Jerry Stage, preceded by Dallas rock band Jonathan Tyler and the Northern Lights (6:45 p.m.) and Beau Jennings & the Tigers (3 p.m.).

Stillwater’s Taddy Porter (7 p.m. Saturday) brings its reinvented, Black Keys-worthy tunes to Sooner Theatre, 101 E. Main, while Norman metal lords Rainbows Are Free (9 p.m. Friday) will melt faces at Opolis, 113 N. Crawford. If you’re more Ramone than Zeppelin, you can catch Broncho (11 p.m. Saturday at the Blackwatch Stage) fresh from a national tour, or Cosmostanza (7 p.m. Friday) and The Copperheads (11:59 p.m. Friday), both at Dreamer Concepts, 324 E. Main.

For those too cool for school

Odds are you’ll enjoy NMF mostly through your cellphone screen, Tweeting, Instagramming, Tumbling, Vining and Snapchatting everything you hear, smell and taste. It’s not as important that you see the bands as it is that you be seen seeing them.

Sip on a PBR and complain about how mainstream NMF has gotten as you camp out at Opolis, where you’ll find kimono-donning indie poppers IO Echo (5 p.m. Saturday), Stillwater weirdos Colourmusic (10 p.m. Friday) and freak folkers Horse Thief (11:59 p.m. Thursday).

The King Khan & BBQ Show
Keep your fingers crossed for some outrageous stage antics from garage punk’s The King Khan & BBQ Show (6:30 p.m. Saturday at the Main Stage); get pummeled by Power Pyramid (6:45 p.m. Friday at Guestroom Records, 125 E. Main); hustle over to upstart Tallows (11:59 p.m. Thursday at The Brewhouse, 108 W. Main); and tell everyone about how you heard Skating Polly (10 p.m. Thursday at Blackwatch) before it had a record deal.

For those about to get weird

With a pocket full of shrooms (illegal, by the way) and a head full of dreams, trip over to Quilted Cherry Podium (9:30 p.m. Friday at Opolis), which has figured out a way to make music from light waves. Blackwatch gets taken over by part-time performance troupe Deerpeople (11 p.m. Friday) and laser/ Goth-pop enthusiasts Depth & Current (11:59 p.m. Thursday).

Witness Mike Dillon (5:15 p.m. Saturday at Main Stage) get freaky on a xylophone, and drown in the noise of The Hex (11 p.m. Thursday), Bloody Knives (10 p.m. Friday) and The Gentle Art of Floating (7 p.m. Saturday), all at Bill & Dee’s Tavern, 311 E. Main.

Plan on spending a good chunk of Saturday at the Spectacle Stage, the perfect combination of lit-up objects, hypnotic motion and loud noises.

IO Echo
For those about to twerk

There’s glitter in your hair from 2007; you don’t know what Red Bull tastes like without vodka; and you have an emergency stash of glow sticks. Life’s a party. Why should NMF be any different?

No one gets things raging like Josh Sallee, who lights up the Main Stage at 4 p.m. Saturday, although Jabee (8 p.m.), Algebra (6 p.m.), Regg (5 p.m.) and Myke Brown (2 p.m.) will do their best to match him that same day at Stash, 412 E. Main.

Jacob Abello (1 a.m. Saturday) and Chrome Pony (11:59 p.m. Saturday) bring sexy back to Blackwatch, while jamtronica act Montu (12:30 a.m. Sunday at Brewhouse) should keep the celebration going to the wee hours. Electro-poppers Jumpship Astronaut (11 p.m. Friday) and The Moai Broadcast (11:59 p.m. Friday) aim to do the same at Stash.

For those about to strum

For a calm escape from the otherwise chaotic swarm that is NMF, turn to the stellar singer-songwriters.

Kyle Reid (noon Saturday) kicks NMF on a high note over at the Sailor Jerry Stage, with Samantha Crain (4:15 p.m.) and Ramsay Midwood (5:30 p.m.) keeping pace there.

The sultry Chelsey Cope (5 p.m. Saturday) debuts her new band over at Brewhouse, while The Bluebonnet Bar, 321 E. Main, becomes an oasis with Young Readers (8 p.m. Thursday), O Fidelis (9 p.m. Friday) and Honeylark (11 p.m. Friday).

Opolis sports an acoustic lineup on Saturday, trumped only by Michelangelo’s Coffee and Wine Bar, 207 E. Main, featuring the likes of Radio Apathy (5 p.m. Saturday) and Allie Lauren (10:30 p.m. Friday) through all three days.

  • Currently 3.5/5 Stars.
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