Tuesday 22 Jul
 
 

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
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Music
 

Back to basics


Paring down to a duo, OKC’s folk-rock duo O Fidelis loosens up.

Zach Hale May 8th, 2013

O Fidelis with Chelsey Cope
9 p.m. Thursday
Wormy Dog Saloon
311 E. Sheridan
wormydog.com
601-6276
free

 

If you look hard enough, there’s always a story to be found within Laney and Brian Gililland’s songs. The husband-wife duo behind O Fidelis has a deepseated love of storytelling, following a long lineage of traditional folk songwriters with the same proclivity for narrative-driven music.

Yet, while it shares thematic elements with a genre that’s historically taken a more traditional, unadorned approach to songwriting, the local act possesses an equally pressing desire to deviate from the norm. This perpetual state of evolution has spawned a series of transitions; from a stripped-down, six-song demo to the more fleshed-out sounds of its self-titled debut EP, the creative process that drives O Fidelis now seems to have come full circle.

“Once the EP was done, we added more members and it started getting a little more of a rock element,” vocalist and multi-instrumentalist Brian Gililland said. “So now we’re in the third stage of everything, which has basically gone back to the basics. We still have a full band that we play with, but we’ve gone back to playing the majority of our shows just the two of us.”

The Gilillands have been at work on their first full-length album since the EP’s release over a year ago. New song ideas continue to arise, however, and the volume of material has grown so abundant that there likely will be enough for another EP — or possibly a second album — to be released around the same time.

As you’d expect to be the case for a young, evolving band, its newest songs — those written post-album — sound marginally different than its endearingly quaint early output.

“The [new album’s] tone is very fun and whimsical; there’s kind of a youthful element to it,” Gililland said. “This next stage is almost like the kids kind of grew up a little bit. We always want to keep that fun and happy element, but the complexity of the songs has definitely gone up a notch.”

The Gilillands’ musical palette is far-reaching; Brian, in particular, is fond of film scores — an interest that would culminate in the band’s own foray into scoring — as well as traditional European and Celtic music. And as the two continue to refine their craft, the grandiosity of cinema and the diversity of world music becomes all the more palpable in their sound.

Like any healthy relationship (musical or otherwise), the couple has its share of creative differences. Yet his affinity for lavish instrumentation and her fondness of unvarnished beauty don’t inhabit opposite poles like one might expect. Instead, this push-pull effect has bred a confluence of sounds; therefore, the creative endurance necessary to evolve.

“It causes a lot of fights,” he said with a laugh. “To be completely honest, sometimes it doesn’t work and other times, it’s really fluid. It just depends on the time of day, I guess.”

Hey! Read This:
Chelsey Cope interview     
O Fidelis Q-and-A



 
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