Thursday 31 Jul
 
 

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday

Opolis

113 N. Crawford Ave., Norman

opolis.org

447-3417

$7

07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.

bluedoorokc.com

524-0738

$15

07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0
Home · Articles · Reviews · Indie · Smith Westerns — Soft Will
Indie
 

Smith Westerns — Soft Will


Zach Hale June 26th, 2013

Most bands don’t make their “mature” album until they’re, you know, mature. Chicago trio Smith Westerns is like the indie-rock equivalent of Robin Williams in Jack: just a few years removed from high school, yet appearing to age more rapidly than the majority of their contemporaries.

smith-westerns-soft-will

Traditionally, bands aren’t really supposed to hit rock ’n’ roll puberty until they approach their 30s. And you’re definitely not supposed to sound as primed and polished as Smith Westerns do on Soft Will — their third studio album — when you’re barely into your 20s.

Admittedly, the act’s youth and the notion of trad-rock revivalism are old hat by now, but there’s a reason they’re discussed with such regularity. The trio became the worthiest successors to T. Rex or Roxy Music in decades overnight, and did so with an uncommon air of confidence.

In 2010, its self-titled debut was a rough-around-the-edges foray into guitar-heavy glam — an enjoyable listen, but one that spoke more to the group’s unrealized potential than anything particularly momentous. Basically, it sounded as if the band were in high school ... which it was.

Smith Westerns’ 2011 sophomore effort, Dye It Blonde, sounded like an entirely different outfit, both in sound and composition. The glitz and glam were dialed up a few notches, and every guitar stab, every synth pad hit you square in the gut. With its sweeping choruses and instantly memorable melodies, Cullen Omori’s songwriting invigorated new life into the band, taking form as one of the genre’s best records of the last several years.

Released yesterday, Soft Will retains the bigness of its predecessor, but does so with subtlety and caution. Production-wise, the album shimmers and shines even more than Blonde, and the melodies are often just as memorable. Yet the disc finds the trio in a far less boisterous state — almost decelerating in a way — as the unruly acquiesces to the pristine. It’s the outfit’s prettiest album by a long shot, and those who prefer their Smith Westerns with that extra shot of espresso might experience withdrawals.

Even a mid-tempo jangler like “Glossed” — a song so shiny, it’ll leave you bright red — feels surprisingly languid. “XXIII,” meanwhile, doesn’t even try to disguise itself as anything but a mid-’70s Pink Floyd tribute. While these songs are highly enjoyable when absorbed individually, 39 minutes of glaze can be more than some might bargain for.

Fortunately, anthemic sing-alongs like “3am Spiritual” and the blissful “Best Friend” inject Soft Will with reverb-drenched, arena-sized choruses. “Varsity” — the clear highlight and one of 2013’s finest tracks — is an immaculately constructed serving of pop effervescence, concluding the album on the highest of high notes.

Yet, while these are 10 well-written and skillfully executed songs, you almost wish the band had taken more time to mature, especially given the trajectory it took off with just a few short years ago. Not because that’s the path the guys were supposed to follow, but because they are likely to lose their vigor and enthusiasm as they age — elements that made them so great in the first place.

Soft Will is certainly an enjoyable listen, but you have to wonder if Smith Westerns came full circle a few albums too soon. —Zach Hale



 
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