Tuesday 29 Jul
 
 

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0

Mack truckin’

Swizzymack
9 p.m. Friday 
Kamp’s Lounge 
1310 NW 25th St. 
lndrnrs.com 
819-6004 
$10-$15 

07/23/2014 | Comments 0

Chevy cruisin’

Chevy Woods with Kevin Gates & more
9 p.m. Sunday 
Vibe Night Club 
227 SW 25th St. 
$20-$40 

07/16/2014 | Comments 0

Rock steady

Tesla
7 p.m. Saturday
Frontier City
11501 N. Interstate 35 Service Road 
frontiercity.com
478-2140
Free with park admission 

07/16/2014 | Comments 0
Home · Articles · Reviews · Indie · The Flaming Lips — Peace...
Indie
 

The Flaming Lips — Peace Sword


Zach Hale November 5th, 2013

The Flaming Lips’ longevity has allowed them to cover a lot of sonic terrain over the years. Yet they’ve arguably become more adventurous with age, jeopardizing a good portion of their fan base in favor of fascinatingly bleak experiments in sound, beginning with Embryonic in 2009 and, more recently, The Terror.

For those who have been clamoring for a return to the more optimistic, life-affirming version of The Lips (or, as some would call them, “songs”), Peace Sword ought to appease — albeit subtly.

The six-song EP was conceived after being asked to write music for the end credits of the recently released sci-fi flick Ender’s Game, a film based on the novel of the same name. Fittingly, the band’s more detached mechanical elements are retained but are often powered by a candy-coated jet pack.

“Peace Sword (Open Your Heart)” sounds like it could have been a Yoshimi outtake, and “Is the Black at the End Good” — maybe their prettiest song of the last decade — is fragile piano balladry, as Wayne Coyne coos existentially, “Cause everywhere the love is / That’s where I will be.” The Terror’s moody atmosphere still pervades throughout, but there’s a light at the end of the tunnel that has seemingly been absent for the last several years. And depending on how you like your Lips, that can either be a good or bad thing.

Ultimately, whether Peace Sword is indicative of a transitory phase — and a somewhat uneven one at that — isn’t the question we should be asking. Rather, what’s next? — Zach Hale

Hey! Read This:

The Flaming Lips — The Terror review

 
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