Sunday 20 Apr
 
 

Odyssey of the mind

Jacob Fred Jazz Odyssey 

with Culture Cinematic and ADDverse Effects

9 p.m. Friday

Twisted Root Gallery

3012 N. Walker Ave.

twistedrootgallery.com

208-4288

$10

04/16/2014 | Comments 0

Frndz with benefits

Boyfrndz with Bored Wax and The Hitt Boyz

9 p.m. Sunday

Blue Note Lounge

2408 N. Robinson Ave.

thebluenotelounge.com

600-1166

$5

04/16/2014 | Comments 0

Saddle up

Horse Thief with Deerpeople and Pageantry

8:30 p.m. Friday

ACM@UCO Performance Lab

329 E. Sheridan Ave.

acm-uco.com

974-4700

$5-$8

04/16/2014 | Comments 0

High heaven

Glow God with Weed, Feral Future and Power Pyramid

7 p.m. Friday

Capitol House

$5

04/09/2014 | Comments 0

Darkened tones

Chevelle with Nothing More and Middle Class Rut

6:30 p.m. Monday

Diamond Ballroom

8001 S. Eastern Ave.

diamondballroom.net

677-9169

$24-$29

04/09/2014 | Comments 0
Home · Articles · CDs · Indie · The Flaming Lips — Peace Sword
Indie
 

The Flaming Lips — Peace Sword


Zach Hale November 5th, 2013

The Flaming Lips’ longevity has allowed them to cover a lot of sonic terrain over the years. Yet they’ve arguably become more adventurous with age, jeopardizing a good portion of their fan base in favor of fascinatingly bleak experiments in sound, beginning with Embryonic in 2009 and, more recently, The Terror.

For those who have been clamoring for a return to the more optimistic, life-affirming version of The Lips (or, as some would call them, “songs”), Peace Sword ought to appease — albeit subtly.

The six-song EP was conceived after being asked to write music for the end credits of the recently released sci-fi flick Ender’s Game, a film based on the novel of the same name. Fittingly, the band’s more detached mechanical elements are retained but are often powered by a candy-coated jet pack.

“Peace Sword (Open Your Heart)” sounds like it could have been a Yoshimi outtake, and “Is the Black at the End Good” — maybe their prettiest song of the last decade — is fragile piano balladry, as Wayne Coyne coos existentially, “Cause everywhere the love is / That’s where I will be.” The Terror’s moody atmosphere still pervades throughout, but there’s a light at the end of the tunnel that has seemingly been absent for the last several years. And depending on how you like your Lips, that can either be a good or bad thing.

Ultimately, whether Peace Sword is indicative of a transitory phase — and a somewhat uneven one at that — isn’t the question we should be asking. Rather, what’s next? — Zach Hale

Hey! Read This:

The Flaming Lips — The Terror review

 
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