Wednesday 30 Jul

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday


113 N. Crawford Ave., Norman



07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.



07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Downtown Tulsa 

07/22/2014 | Comments 0
Home · Articles · Reviews · Country · Toby Keith — Drinks After...

Toby Keith — Drinks After Work

Louis Fowler November 12th, 2013

“Guilty pleasure” is one of the dirtiest phrases in the English language — a term created to make fans of something considered mostly unpopular by the ruling pop-culture intelligentsia feel shame.

I make absolutely no excuses for finding total pleasure in Toby Keith’s take-no-prisoners, buck-the-system, good-time-Charlie tunes. He’s a grown man who sings grown-man songs, and if any proof is needed, I suggest turning up the volume of his new album, Drinks After Work, right from the first track, the sublimely later-era ZZ Top-esque dirt-rocker “Shut Up and Hold On.”

The title track and “I’ll Probably Be Out Fishin’” are a pair of tropically jaunty, easy-listening aces that wouldn’t be out of place on a Jimmy Buffett album, which makes sense considering how much collaborative work the two have been doing as of late.

Other standouts include “Before We Knew They Were Good,” Keith’s archetypical take on the storytelling songs of hard times and harder men, as well as “Call a Marine,” his usual well-meaning pandering to the armed forces.

My favorite track, however? The boogie-woogie sleaze of “Show Me What You’re Working With” is something I can’t wait to hear the next time I’m in a backwoods strip club at 2 a.m., getting into a bar fight with a Kid Rock wannabe over the heart of a methed-up dancer. And I feel no guilt in admitting that I’m totally looking forward to that. — Louis Fowler

Hey! Read This:
Toby Keith — Hope on the Rocks album review
Oklahoma Gazette Sports: I love this par

  • Currently 3.5/5 Stars.
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