Tuesday 22 Jul

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
Home · Articles · Music · Music · Heavy mettle

Heavy mettle

Cathercist may have earned a reputation as pranksters. But when they take the stage, it’s all business.

Joshua Boydston January 29th, 2014

Cathercist with American Head Charge, Righteous Vendetta and more

7 p.m. Monday

The Chameleon Room

3034 N. Portland Ave.



Mississippi metal band Cathercist takes its music — but little else — seriously.

The grueling path of an upstart, touring hard-rock band is taxing to be sure, with sweaty dudes packed into cramped vans and scraping by from city to city with just enough cash to put gas in the tank. But the five-piece has found a little mischief to be the perfect remedy, rolling into each town blaring Three 6 Mafia with the windows down, ready to unleash loud music and a little mayhem.

Tour mates like Taproot have felt the brunt of most Cathercist’s pranks, ranging from run-of-the-mill gags to Saran-wrapping unsuspecting players from head to toe mid-performance.

The coup de grâce, though, was pulled on Cincinnati six-piece A Liar’s Eyes, who had the final song of its set one night punctuated with a shower of rubbers worthy of R. Kelly’s Saturday night.

“We ran to the Walmart across the street and bought armfuls of the cheapest condoms money could buy,” bassist Mikhail Cintgran said. “It took about 15 minutes to blow up over 100 condoms. It was disgusting … our faces were covered in lube. We climbed the rafters, and during their last song, we just started raining condom balloons everywhere. The crowd thought it was just part of the show until they started getting their hands on them.”

Cathercist is looking forward to topping that on this national tour with American Head Charge, which brings the outfit through Oklahoma City on Monday. Still, more focus is set upon the grind of showing the band’s mettle to each night’s crowd.

The band has opened for the likes of Seether and Sevendust and has shared a spot on festival bills with Korn and Avenged Sevenfold since its formation in 2010 and understands the oft-thankless reception all too well.

“You go out with something to prove. You have to try and measure up to some of the most popular bands on the planet right now,” Cintgran said. “The first couple times, it kind of feels like you are greeted with a collective ‘eh.’ Eventually, they decide they like you, though. You build a resiliency that is necessary to playing in a hard-rock band. It’s difficult to break into, but once you do, you’re in.”

Cathercist is dead set on sticking around, too. A lineup reshuffle in late 2012 was deemed necessary to cast the band with brave souls willing to dedicate themselves fully to rock ’n’ roll, and that new group recorded and released a new album, As Hope Expires — drawing from inspirations as varied as Lamb of God and Muse — in May of last year.

Produced by Matt LaPlant (Nonpoint, Skindred), the album features some of the most self-aware and unflinching songwriting the band has rafted to date, with songs like “Nightmare” — whose chorus is anchored by the line “There’s no escape/ Isn’t this what you wanted anyway/ Sometimes your dreams become your nightmare” — revealing an honest look at the struggle that pursuing music invariably bears.

With touring, new music and more planned for 2014, Cathercist is at rest with those demons and ready for anything and everything lying ahead.

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