Tuesday 22 Jul
 
 

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
Newsletter
Home · Articles · Music · Music · Devil’s advocates
Music
 

Devil’s advocates


Recent city developments have Norman metal mainstays Rainbows Are Free laughing devilishly.

Joshua Boydston February 12th, 2014

Rainbows Are Free

8 p.m. Saturday 

Opolis

113 N. Crawford Ave., Norman

opolis.org

820-0951

$7

Should the Satanist-proposed monument of goat-headed idol Baphomet make its way onto the Capitol steps, Oklahoma City has just the band for its unveiling.

Norman’s own Rainbows Are Free calls its brand of doomsday dirges and post-apocalyptic poetry “the devil’s music,” setting stoner rock riffs to hellish tales of mind-bending torment.

In the minds of these purveyors of Southern-fried metal, a shrine to the dark side would be good for Oklahoma.

“My natural inclination was to support it because it would piss off the status quo,” guitarist Richie Tarver said. “I think it’s good to shake up this monolithic, Oklahoman infusion of politics and religion … even if it means supporting the Church of Satan.”

But before you go hiding your wife, kids and pets from the five-piece, realize that its tongue is planted pretty firmly in its cheek.

There are no animal sacrifices or blood pacts to be found at rehearsals, but jokes and laughs abound from the dudes who are known to take the stage dressed as wizards or the Village People in the name of channeling their “inner Parliament-Funkadelic.”

“There’s not a lot of brooding in the darkness,” Tarver said of the band’s collective demeanor. “We can’t help it. We just can’t take anything too seriously.”

Like some sort of wicked escapist pornography, Rainbows Are Free’s music and lyrics are born more out of a place of fascination than darkness. Its allegiance to metal and psych-rock figureheads like Black Sabbath, Deep Purple and 13th Floor Elevators assures an earnest final product and a searing sound capable of impressing even the blackest hearts in the crowd.

“There are those austere, cutthroat dudes who live in a van and breathe heavy-metal Satan and that’s it at shows,” Tarver said. “We get our respect, nonetheless.”

The strength of material found on Believers in Medicine, the band’s 2010 full-length debut, has something to do with that. That legacy is cemented with Waves Ahead of the Ocean, its new album, celebrated with Saturday’s show at Opolis.

Waves finds the band as heavy as ever, only recharged with a sinful lust for rhythm and groove right up Queens of the Stone Age or Mastodon’s alley.

“This one has a little more of a rock ’n’ roll vibe and less psychedelicinfused metal,” Tarver said. “It’s crafted a little better, and there’s less reliance on ambient effects. It’s more of what the band would do live.”

The plans for the coming year are still up in the air, although the band said regional touring is sure to happen. Requests for lyrics are pouring in, even from teenagers across Brazil, Germany and the United Kingdom. This has them pining for a trip across the pond, all while stewing in the irony of America’s most conservative state bearing some of the world’s finest devil-music.

“To find that we have fans in those places, where metal still really thrives, to have that exposure and recognition is weird to think about,” Tarver said. “It’s a bewildering thing to have people listen to us that might not even know our language.”

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close