Tuesday 22 Jul

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
Home · Articles · Music · Music · Live ’stock

Live ’stock

What started as a small gathering coordinated by a local photographer has evolved into Schwarzstock, a full-fledged local music extravaganza.

Joshua Boydston May 13th, 2014

The 40
3700 N. Cimarron Rd., Yukon

Photo: Doug Schwarz

Doug Schwarz had a beautiful moment a couple years ago, lying underneath the starlight after an impromptu birthday party and concert on the quiet, wide-open spaces offered by one of his family’s farms. It didn’t take long before he wanted to share that feeling with everyone else.

Schwarzstock has evolved from a friends-of-friends affair to a full-fledged countryside music festival. Now in its fourth incarnation, the fest showcases some of the biggest names in Oklahoma music over two days on a plot of land just outside of El Reno.

“We wanted to take it from this fun little field party and really make it something a little more serious,” Schwarz said. “The first time, it was just a small party. The second time, it was word of mouth. Last time, we took it a bit more seriously, and now it’s a real festival. It’s gone from being involved with the bands to bringing the entire city in.”

Schwarz is best known for his work behind the camera, snapping press shots for many of the bands on the Schwarzstock bill and devoutly documenting the Oklahoma music scene with his concert photography over the past few years.

But this gives him the opportunity to not only chronicle the local culture scene he so admires but add something to it, something different.

There are a fair amount of music festivals that have popped up across the state, but Schwarz likes to think of his as providing an experience you can’t find anywhere else. Schwarzstock encourages concertgoers to pitch a tent and set up camp on the grounds overnight, mimicking the environment of Bonnaroo or Wakarusa but with a Sooner State focus.

And out there in the middle of the country with little noise other than the chatter of friends, the bands on the stage, the night sky unhindered by the lights of the city, it’s a special thing.

“It’s like hanging out with your friends on this bigger, community scale,” Schwarz said. “There’s something kind of pure about it. At the core of it, there’s 400 to 500 people hanging out who all really know each other, and we want to bring more people in on that feeling.”

Added to a bigger bill, bigger production and bigger grounds, Schwarzstock is now expanding its programming, adding more standup comedy sets, vendors, food trucks and volleyball courts, even potentially bringing fishing and astronomy group-led stargazing into the fold as well.

Even on the eve of the festival, Schwarz’s mind is already churning and he’s pondering how to make the next festival better while potentially populating the time between festivals with other Schwarzstock undertakings, shows or otherwise.

“I look back at it all, and it’s really something,” Schwarz said. “Hundreds of people have made this happen, and that’s incredibly humbling to have so many volunteers to help put your dream together.”

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