Tuesday 22 Jul

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
Home · Articles · Music · Music · Dizzy spells

Dizzy spells

Rising emcee Dizzy Wright is just focusing on his words and flow, even as the hype surrounding him continues to mount.

Joshua Boydston June 18th, 2014

Dizzy Wright with Josh Sallee, Mike Turner and more

10 p.m. Saturday

Kamp's Lounge

1310 NW 25th St.




Photo: Dizzy Garcia

A lot of young artists stepping into the whirlwind Dizzy Wright has in the past year — including a spot on XXL Magazine’s career-making Freshman Class designation in 2013 — would lose their minds in the process. But even at just 23 years old, this is old hat for the Las Vegas rapper, who has paid a lifetime’s worth of dues already.

Wright picked up the mic at just eight years old, spitting rhymes in a group with his brother and friend. And between his mom’s work promoting concerts and his stints as a youth reporter at shows like the BET Awards, a young Wright was rubbing shoulders with the likes of Tyrese and Boyz II Men.

But even more important was the creative guidance of his uncle Steven Howse, better known as Layzie Bone of Bone Thugs-n-Harmony.

“Bone has always been my biggest influence. I’ve always been a fan of that harmonizing and that flow. You got a lot of flavor into one song, and that still affects me to this day,” Wright said. “I went back and listened to that because I hadn’t heard it in a while and was like, ‘Damn. They were really doing it.’” 

But Wright’s life hasn’t necessarily been a charmed existence, at least not in the prototypical “hip-hop royalty” sense of the word. His family spent half a year in a homeless shelter, and he viewed the portraits of life and harsh realities firsthand during stints living in Michigan, Georgia, California and Las Vegas.

“A lot of my shit is about the struggle,” Wright said. “I just don’t want to be broke. I’m like everybody else; I’m just grinding, trying to make it work.”

It has been working better than ever as of late. He unveiled his debut mixtape in 2010, tailed by three more in 2011 before releasing his full-length studio debut, SmokeOut Conversations, on April 20, 2012.

Collaborations with the likes of Childish Gambino and Joey Bada$$ followed, and the coveted Freshman Class honor, marked as the magazine’s People’s Choice winner, soon followed.

“It felt good,” Wright said of how he received the news. “I’m big on fucking [with] the people that fuck with me, so it’s great to have people have my back in something like that.”

Calls from major labels flooded his inbox, but he has been more than content to release his music through independent imprint Funk Volume (founded by Tech N9ne cohort Hopsin), savoring the creative leeway to indulge his soulful ’90s tendencies and more electrified trap-influenced tastes alike.

“I’ve got a lot of freedom. I don’t want to deal with a lot of shit,” Wright said. “I just want to do my thing and make music, and I’m just much more comfortable as an independent artist.”

The more humble undertaking hasn’t lowered his ceiling; his recently released State of Mind EP debuted at No. 5 on Billboard’s Top Rap Albums chart, and all eyes are on Wright as he preps what will become his sophomore studio effort.

“I want to do an album, but I got to do it right,” Wright said. “I don’t know that the music compares … it’s just another Dizzy life.”

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