Wednesday 30 Jul

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday


113 N. Crawford Ave., Norman



07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.



07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Downtown Tulsa 

07/22/2014 | Comments 0
Home · Articles · Reviews · Eclectic · Ethel' Oshtali: Music for...

Ethel' Oshtali: Music for String Quartet

None July 22nd, 2010

Written entirely by students of Ada's Chickasaw Summer Arts Academy in 2008-09, "Oshtali: Music for String Quartet" is an album of classical arrangements performed by Ethel, an acclaimed, contemporary New York string quartet that's performed and recorded with a bevy of renowned orchestral acts and pop artists.

The 16-song album was recorded at Oklahoma City University's Wanda L. Bass School of Music and released on June 29. Despite the wide range of themes it explores, the disc is remarkably cohesive.

The student composers were all 13-21 years old, but describing the songs as "mature" undercuts the sophistication of the arrangements and the precise nature of the tracks' voicing and instrumentation.

Together, the pieces sound like a movie score, with each of the 16 scenes highlighting specific ideas and instruments as characters.

Joseph Cruise Berry's tense opener, "Fantasia," is frantic with staccato strings bowed with thrilling syncopations, not unlike the manic music that might underscore a Hitchcockian shower scene.

The long string notes in Katelyn Duty's "Here's the Hurt" play with sorrow and loss, but a dizzying loop of melody creeps in from the periphery as a painful reminder that the heartache was unexpected or tragic' or both.

"Innominate," by Johnothan Bomboy, begins with soft pianos and evolves with low chords and string countermelody. Cellos take over the song near the end, and the tempo ticks up and breaks into an almost pop-rock structure.

"Oshtali" is pretty spectacular from a composition standpoint, with flawless performance and production. It's exciting, new and very contemporary, but none of the arrangements' playfulness approaches novelty' a welcome respite from the no-restraint-whatsoever approach laid to tape by many young musicians and songwriters.

"Oshtali: Music for String Quartet" is $18. For more information, visit "”Joe Wertz
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