Monday 20 May
 
 

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0

Bright stripes

Tiger High with Cosmonauts and The Garden
10 p.m. Monday
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$5
05/15/2013 | Comments 0

Reverb brotherhood

Basile Benefit Bash with The True Believers, The Fortune Tellers, The Reverb Brothers, DJ Jon Mooneyham and more
9 p.m. Friday-Saturday
VZD’s Restaurant & Club
4200 N. Western
vzds.com
524-4203
$20 Friday, $10 Saturday
05/15/2013 | Comments 0

Back to basics

O Fidelis with Chelsey Cope
9 p.m. Thursday
Wormy Dog Saloon
311 E. Sheridan
wormydog.com
601-6276
free
05/08/2013 | Comments 0
Home · Articles · CDs · Electronica · Juno Reactor - Gods &...
Electronica

Juno Reactor - Gods & Monsters


None June 5th, 2008

junoreactor

Metropolis

To listen to a Juno Reactor album is to be transported to an intergalactic space station where astronauts drink not Tang, but Red Bull. The brain child of Ben Watkins, the electronica act has specialized in high-energy, jungle-rhythm trance for nearly 20 years. Although not a household name, Juno Reactor has been a pioneer in modern electronic music, straddling the space between the dance floor and the mind scape. (If you've seen any of the "Matrix" movies, you've no doubt tripped out to at least one of the group's tunes.)

"Gods & Monsters" marks the seventh full-length explosion from the Reactor, and it sounds a lot like previous efforts: a little loopy, a lot of South American influence; whether this strikes you as a carbon copy or comfort food depends on your tolerance level. I happen to dig it.

The deep female vocals that drive the opening tracks "Inca Steppa" and "Tokyo Dub" are seductive and slightly dangerous, while other cuts let crashing and clashing instruments do all the dirty work.

"”Rod Lott

 
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