Friday 18 Apr
 
 

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0

No Holds Barred

RLJ Entertainment's new Blu-ray for No Holds Barred begins with what seems like dozens of trailers for movies starring pro wrestlers from the WWE talent pool. Each flick went direct to home video, but once upon a time — aka 1989 — one had to go to the multiplex to catch such a spectacle.
04/15/2014 | Comments 0

Knights of Badassdom

In 2008, the third act of the guy comedy Role Models used LARPing — live-action role-playing, that is — as a backdrop for our protagonists' lessons learned. Today, Knights of Badassdom extends that half-hour into a full feature, to the point where viewers are left not smiling, but exhausted. 
04/02/2014 | Comments 0

Switched on

Not everything on television has to appeal to mass audiences. In fact, with the further fractioning of viewership thanks to alternatives like Netflix and VOD, more series can afford to become more niche. Here are five examples of shows both past and present — and new to DVD and/or Blu-ray — that encompass some of the more outrageous ideas ever to go beyond boardroom discussion.
04/02/2014 | Comments 0

Confession of Murder

Seventeen years after slaying 10 women and getting away with it, the charismatic serial killer Du-sok (Park Si-hoo) comes clean with a Confession of Murder, in this 2012 South Korean crime thriller. He does so by publishing a book that dishes all the grisly details.
04/02/2014 | Comments 0
Home · Articles · Movies · Horror · The Wolfman
Horror
 

The Wolfman


None February 13th, 2010

wolfman
ds with ease, as if their bodies were made of butter. Grabbing a gun, he chases the monster into the woods of fog and shadows, only to become a victim himself, taking a savage bite on his throat.

You can guess what happens next. Heck, you can guess all of it before the first scene finishes. Therein lies the biggest drawback to "The Wolfman": Its mysteries are devoid of mystery. The supposed twist is telegraphed so far in advance, the audience is practically handed a Western Union envelope.

But just as director Joe Johnston turned "Jurassic Park III" into a carnival ride, so he does here, making the most out of it. This means violence, and plenty of it, with makeup-effects man Rick Baker sparing no spurt of red for the many evisceration set pieces. In an age where studios want to dumb everything down to a PG-13, deliberating aiming for an R rating is akin to a gutsy move. Turning the story a 19th-century period piece also proves a wise choice; with all the old costumes and sets this involves, it lends the production credibility and class, best carried out through Blunt, who submits the best performance as the grieving woman nonetheless attracted to her beloved's brother.

Ironically, Del Toro doesn't fare as well. When his casting was announced in 2006, movie fans reacted with a "duh," as people long had joked about the actor's hirsute resemblance to the lycanthrope. But really, he's so bland here, Del Toro is largely Del Snore-o. Most any thespian could've played his part.

As for the monster, he's fast, ferocious and fond of tearing villagers into pulled pork. That should be enough to send viewers over the moon. "”Rod Lott


 
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