Documentary
Rod Lott
As director Deborah Anderson states at the beginning of her documentary, Aroused is not a story about pornography, but about women. For half of its 69-minute running time (deliberate?), I believed her.

Documentary
Rod Lott
Although now I can’t remember the publication, I recall reading an article about con artist Frédéric Bourdin and thinking, “This would make a really good documentary.” A few years later, The Imposter is that documentary.

Documentary
Phil Bacharach
You might not know it, but chances are Diana Vreeland has a great deal to do with what you think when it comes to fashion, style and design. As fashion editor for Harper’s Bazaar and, later, editor of Vogue, she injected post-World War II America with an almost revolutionary sense of, as she put it, “pizzazz.”

Documentary
Rod Lott
All the love audiences have for the Oscar-nominated Searching for Sugar Man (which I wasn't crazy about) is what I feel for Paul Williams: Still Alive.

Documentary
Rod Lott
There's a long-standing joke about Jerry Lewis being loved by the French, and to paraphrase The Simpsons, it’s funny ’cuz it’s true. We even see the adulation — then, now — in Method to the Madness of Jerry Lewis, a two-hour documentary about the man whom one celebrity admirer calls “The Beatles of movie comedy.”

Documentary
Phil Bacharach
This is a golden age of documentaries, and I don’t mean the propagandistic variety via Michael Moore or 2016: Obama’s America. Given the pervasive timidity and lack of imagination in Hollywood today, film buffs are well advised to take stock of documentaries, where the most gripping stories are being told.

Documentary
Rod Lott
I was incorrect in thinking the documentary I Am Bruce Lee wouldn't reveal anything new about the screen's greatest martial artist. While not exactly earth-shattering, the facts I learned numbered many.

Documentary
Rod Lott
Peter Gabriel’s 1986 album, So, found the former Genesis vocalist at his commercial and critical peak. Now, to celebrate its 25th anniversary, it’s not only been reissued in a three-disc box set, but is the subject of the Classic Albums documentary series.

Documentary
Rod Lott
There's a great story surrounding Stan Lee and Marvel Comics. I know because a month ago, I read all about it in Sean Howe’s new book about the very topic. As for the documentary With Great Power  ...: The Stan Lee Story, however, it's perfectly fine if the only portrait you care to see is superficial, self-laudatory and largely wart-free.

Documentary
Rod Lott
Significantly updated from his 1985 documentary, The Definitive Document of the Dead promises to be the last word director Roy Frumkes has to say on his subject of zombie godfather George A. Romero. If not, perhaps it should be.

Documentary
Rod Lott
Granted only a limited theatrical release this summer, Nitro Circus: The Movie is like Jackass with more athleticism, more engineering know-how, more maturity, more corporate sponsors, and much less testicular trauma.

Documentary
Rod Lott
Is it art?

Documentary
Rod Lott
I can't believe — just. cannot. believe. — that Paradise Lost 3: Purgatory lost the Academy Award for Best Documentary Feature this past spring. And to a football movie, no less! It's another case of the jocks running ragged over the outcasts, except these outcasts were able to effect something few docs achieve: change.

Documentary
Rod Lott
I'd say Peter Gabriel has aged wonderfully, judging from the concert film Secret World, but the performance is nearly two decades old, from 1993. Although far removed from his heyday as an MTV idol — the venue looks as if its audience were lifted from a BMW dealership super-sale — he still sounded great.

Documentary
Rod Lott
Susan Marks' Of Dolls & Murder is a rather straightforward documentary on an oddball subject: forensic pathologists teaching medical investigation skills to police officers via "nutshell studies."