Saturday 25 May
 
 

The Burning

It speaks to the strength of The Burning’s reputation among cult-film fans that what’s most memorable about the 1981 slasher is not that it was written by the Weinstein brothers, nor that it represents early appearances of the likes of Jason Alexander, Holly Hunter and Fisher Stevens. It’s that its Cropsy is just a damned good villain.
05/24/2013 | Comments 0

Dexter: The Seventh Season

There's no way to discuss the seventh and penultimate season of Showtime's hit Dexter without acknowledging how the previous year ended. Therefore, if you haven't finished the sixth season, stop reading now. You've got work to do.
05/21/2013 | Comments 0

Nightfall

As Simon Lam gets older, he gets better. The veteran actor has appeared in such in seminal HK action films of the 1990s as Once Upon a Time in China (opposite Jet Li) and Bullet in the Head (directed by John Woo); in the aughts, he graced audience and critical favorites Election and Ip Man.
05/20/2013 | Comments 0

Grand Duel

Lee Van Cleef enjoyed a secondary career in Italy cranking out spaghetti Westerns, with little regard to quality. However, 1972’s Grand Duel — aka The Big Showdown — is deserving of its Grand label. No wonder Quentin Tarantino borrowed its sweeping theme song by Luis Bacalov for Kill Bill; you'll recognize it in two notes.
05/20/2013 | Comments 0

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0
Home · Articles · Movies · Drama
Drama
 

Elena

Money matters within the hierarchy of a blended family go under scrutiny in an icy Russian drama.


Drama

Phil Bacharach
Elena
7:30 p.m. Thursday, 5:30 p.m. Friday-Saturday, 2 p.m. Sunday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$5-$8
 
Tuesday, August 14, 2012

Beasts of the Southern Wild

One of the great child performances anchors an imaginative fantasy.


Drama

Kathryn Jenson White
Rather than going to Beasts of the Southern Wild, you should approach the theater with the idea of going with it.
 
Wednesday, July 25, 2012

I Wish

A pair of young brothers need a miracle to reunite a family in a beautifully observant drama.


Drama

Phil Bacharach
I Wish
5:30 and 8 p.m. Friday-Saturday, 2 p.m Sunday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$5-$8
 
Wednesday, July 18, 2012

Peace, Love & Misunderstanding

Strong actors can’t atone for the dull dramedy 'Peace, Love & Misunderstanding' — not even the legendary Jane Fonda.


Drama

Phil Bacharach
Peace, Love & Misunderstanding
7:30 p.m. Thursday, 5:30 and 8 p.m. Friday-Saturday, 2 p.m. Sunday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$5-$8
 
Wednesday, June 27, 2012

Hysteria

What’s all the buzz with ‘Hysteria’? It’s a genial comedy about a gynecological breakthrough.


Drama

Rod Lott
Hysteria is the feel-good movie of the summer — not for any feelings invoked in its audience, but because it’s a romantic comedy about the birth of the vibrator.
 
Wednesday, June 13, 2012

The Deep Blue Sea

Rachel Weisz commits the vice of adultery in The Deep Blue Sea, a drama so pedestrian-paced, it makes sex look boring.


Drama

Rod Lott
The Deep Blue Sea
5:30 and 8 p.m. Friday-Saturday, 2 p.m. Sunday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$5-$8
 
Wednesday, May 23, 2012

The Perfect Family

Even if her movie does not, Kathleen Turner shines as the moralistic matriarch at the head of 'The Perfect Family.'


Drama

Rod Lott
The Perfect Family
5:30 and 8 p.m. Friday-Saturday, 2 p.m. Sunday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$5-$8
 
Wednesday, May 9, 2012

In Darkness


Drama

Phil Bacharach
It’s not as if there’s been a grievous shortage of movies detailing the horrors of the Holocaust. Even so, Poland’s In Darkness, which is scheduled to open Friday at AMC Quail Springs Mall 24, adds something to the cinematic discussion, chiefly in the form of its unlikely hero.
 
Wednesday, March 28, 2012

Game Change

Not nearly as good as the book, but vote Moore for the Emmy.


Drama

Rod Lott
Nearly every scene of HBO's telefilm Game Change, I recall from John Heilemann and Mark Halperin's excellent nonfiction book of the same thing. But the movie directed by Jay Roach (of the Austin Powers and Meet the Parents franchises) only tells half — maybe even one-quarter — of the story, ignoring the 2008 presidential-campaign narratives of Barack Obama, Hillary Clinton and John Edwards for the one it finds most compelling: that of Sarah Palin and John McCain, and not the other way around.
 
Wednesday, March 7, 2012

Rampart

Bad cop, good movie.


Drama

Rod Lott
Woody Harrelson’s LAPD officer of Rampart is a very bad man.
 
Friday, March 2, 2012

A Separation

The Oscar-winning film is a harrowing test in an exercise of how things can get worse.


Drama

Phil Bacharach
Most global news surrounding Iran concerns its nuclear capabilities and its nutjob leader, but fans of international cinema know there is much more to the Asian republic.
 
Thursday, March 1, 2012

In the Land of Blood and Honey


Drama

Phil Bacharach
“In the Land of Blood and Honey” doesn’t skimp on wartime atrocities.
 
Wednesday, January 18, 2012

Shame


Drama

Rod Lott
Our daily life is defined by rituals.
 
Wednesday, January 18, 2012

Melancholia

Sadness has never looked so good than in Lars von Trier’s intriguing drama on depression with a sci-fi twist, ‘Melancholia.’


Drama

Jenn Scott

Melancholia
7:30 p.m. Thursday, 5:30 and 8 p.m. Friday-Saturday, 2 p.m. Sunday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$5-$8

 
Wednesday, December 7, 2011

Hugo

‘Hugo’ is Martin Scorsese’s love letter to the cinema.


Drama

Phil Bacharach
Martin Scorsese loves movies. Anyone familiar with the director of “Raging Bull” and “The Departed” knows he worships at the altar of film. It’s not surprising, therefore, that Scorsese would make a love letter to the art form in which he immersed himself from his days as a sickly child growing up on New York’s mean streets.
 
Wednesday, November 30, 2011
 
Close
Close
Close