Sunday 26 May
 
 
CD reviews

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

SXSW: Fiawna Forte


Powerhouse rock'n'roll

By Stephen Carradini March 16th, 2011
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In an age of increasing gear and growing complexity, it's almost counter-cultural to rock it with little more than the instruments you brought in.

Fiawna Forte and her band brought in exactly three pedals; one for each of the two guitarists and bassist. The stage was remarkably uncluttered, which was necessary for the band to move around. And move they did. Fiawna and her band went nuts on stage: dancing, headbanging and generally strutting their stuff. Even the drummer couldn't stay on his seat, routinely standing up and banging with fervor.

But the stage was not enough for Forte; twice she entered the audience while performing, once with guitar in hand and once with just her mic. She roamed around in the audience, trying her hardest to invigorate the listeners.

Antics aside, her music was enough to arrest the audience; her brand of no-frills rock and roll was sold by her roaring voice. Even though there was a power to her vocal cords, it never became guttural or non-feminine; her voice is just powerful. When paired with body-movin' riffs and ear-snagging melodies, it became an irresistible formula that I and the audience could not take eyes off.

Fiawna Forte has an electric stage presence, great songs and a bright future. I am blown away.

 
  • Currently 3.5/5 Stars.
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