Friday 25 Apr
 
 
CD reviews

IndianGiver - Understudies

There’s a difference between being derivative and being inspired by something, a line a lot of artists can’t seem to find — or at least don’t care to.
04/22/2014 | Comments 0

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0
 

SXSW: The Felix Culpa


Chicago's finest rock band throws down

By Stephen Carradini March 19th, 2011
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If you ever come to SXSW and don't have any idea what to do or where to go, just cruise 6th Street from Red River to Congress. You will find something you like. As I left Adebisi Shank's show, I started checking out the line-ups from the prodigious amount of bars on the strip and noticed, to my absolute astonishment, that The Felix Culpa was playing in forty-five minutes in the bar I was standing outside. 

I've been listening to Chicago-based The Felix Culpa since 2004, but I had yet to see a show of theirs. But for the second time in a day, I was blown away by a post-hardcore band that I had no expectation whatsoever of seeing. The Felix Culpa plays long, intricate tunes that have more parts in them than a whole car: Their entire set consisted of three very lengthy songs. These guys have songwriting chops like I've never heard, and they put them on full display in their show.  

"Escape the Mountain, Lest Thou Be Consumed" played out like a novel in song form, with hard-charging high points, solitary valleys, and everything in between. The band pounded through the tunes with passion, never letting a second go by without a yelled vocal, a swung guitar or some other expression of their fervor. Their sung melodies, screams and instrumental work each were hitting on all cylinders, resulting in an incredible, highlight set. I plan on seeing them again, because the set was just that good. 

If you like artistic, complex, deep rock music that skews toward hard but doesn't camp out there, The Felix Culpa is your band. You need to know them. That's really all there is to it. 
 
  • Currently 3.5/5 Stars.
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