Friday 25 Jul
 
 
CD reviews

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
 

NMF4: Saturday Sirens/Gregg Standridge/Man-made Objects


Rock, country and shoegaze in a row

By Stephen Carradini April 29th, 2011
GreggStandridge

After arriving too early at Blackwatch Stage for Unwed Sailor, I also arrived too early at Opolis for ManMade Objects. Instead, I caught the end of Saturday Sirens' frantic set. They were really pounding on their instruments and voices. It was a pretty impressive ruckus with a lot of movement.

Heading up the street, I stopped in at Bluebonnet Stage and listened to Gregg Standridge's (above, on right) country/folk/Southern rock amalgam. His band was sharp, and the sound was tight as a result. Ranging from outlaw country to ballads to crunchy tunes, the band went through a wide range of sounds. Each was pulled off impressively, not showing any signs of preference or of weakness.

After thoroughly enjoying Standridge's music, I returned to Opolis to actually catch Man-Made Objects (right). Their tunes fell in the space between psych and shoegaze, which made for a woozy, mind-melding experience. The band didn't move around much, but they made up for their lack of motion in dissonant volume. Fans of reverb and My Bloody Valentine should perk up their ears.

 
  • Currently 3.5/5 Stars.
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