Wednesday 22 May
 
 
CD reviews

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

NMF: The Garage / K.C. Clifford / Foot Patrol / And There Stand Empires


Buffalo burgers, folk, foot fetishes and freakouts

By Stephen Carradini May 5th, 2011
kcclifford2

After The Non's fantastic set, it was time for some food and beer. No better time to check out Norman's newest Main Street bar and restaurant The Garage, right? Right, especially since it's freaking awesome. I had a fantastic onion buffalo burger that smacked of "made, like, three minutes ago" freshness. I went cheap on the beer (I will not reveal my shame), but my friend had a Spaten Optimator with his buffalo burger. Yes, it's that kind of place. The atmosphere is excellent, too; I hope that it lasts a long time.

Thoroughly revitalized with beer, water and food, I ventured out to K.C. Clifford's set at Brewhouse. David Broyles of Dr. Pants is married to K.C. Clifford, so I saw him for the second time in three hours. He did not dance. He did, however, play acoustic and electric guitar accompaniment to Clifford's acoustic country and folk songs. Clifford's songwriting is of the Blue Door, catch-every-word variety, so it was a bit out of place at the Brewhouse (she mentioned as much, noting that she'd probably never played at a place with so many TVs before). But her sonorous voice, engaging stories and vibrant songwriting kept people focused on her and not the draft. Her lyrics were some of my favorites at the fest. Highly recommended.

I caught a bit of Foot Patrol's set somewhere in the course of the afternoon, and it was about as weird as I expected a foot-fetish dance band led by a blind keyboardist to be. If you were there, you know what I mean. Funky, dancy, weird. Good horn section, too.

Tulsa's And There Stand Empires was another incredibly memorable set from the fest. If The Non had jazzier roots and a tendency to freak out sporadically, they might be an approximation of ATSE's wild instrumental amalgam.

These songs felt like compositions as opposed to rock tunes; highly technical chops combined with heavy breakdowns made for an experience I will not soon forget. Their control of mood was impressive, making quiet sections just as intense as brutal freakouts that ended in knocked-over equipment. If you're into heady music like JFJO and The Non, but wish they were heavier, ATSE may satiate you. Or if you like two bassists playing at once, like I do.

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 
 
Close
Close
Close