Thursday 31 Jul
 
 
CD reviews

Power Pyramid - The God Drums

Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.

07/29/2014 | Comments 0

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0
 

NMF: Riley Jantzen and the Spirits / John Calvin and the Cavalry / Montu


Train-whistle rock, pop/rock/folk and electronic jam grooves

By Stephen Carradini May 5th, 2011
RileyJantzen

My second dose of Riley Jantzen came at the Brewhouse, with him fronting his new band, Riley Jantzen and the Spirits. They play what I call train-whistle rock'n'roll: twangless country rock that crunches pretty hard, but not in the modern rock sort of way. Whatever you want to call it, Riley Jantzen and the Spirits are incredibly good at it. I got shivers twice during their set, and it's rare for me to feel goosebumps once during a good show. It helps that Jantzen's voice molds perfectly into whatever genre he wishes, and that his songwriting sensibilities are razor-sharp. His supporting cast is also a critical element; the bassist get props for being especially vital. I can't recommend this band highly enough to you; if you take nothing from NMF but Riley Jantzen, you're gonna be doing alright.

My second go-round with John Calvin came at Michelangelo's, where John Calvin and the Cavalry played their final show as an entity. Members may be leaving him for far-off places, but they didn't show any signs of distraction in their locked-in, 90-minute set of rock, pop, blues and folk.

John Calvin is most fun performer in Oklahoma to photograph, because his guitar faces are just absolutely incredible. He can make guitar faces because about half of the fun of a Cavalry set is listening to Calvin totally wail on his acoustic guitar, which he turns into an electric with a combination of pedals. He let no opportunity go un-soloed in this set, too. Calvin has come a long way since his first shows, and his current versions of his oldest songs show it. "Song to Make the Stars Fall," one of his oldest songs, sounds completely transformed, from a nice pop tune to a tour-de-force. It's a shame that the Cavalry is splitting up, because they certainly know how to turn a tune inside out.

The set felt a couple tunes too long, but when you're headlining a stage at NMF and it's your last show, you pretty much have permission to throw in the kitchen sink. It was a blast, and the band looked like it was having as much fun as the audience.

Montu's electonic jams brought the audience out to Jagermeister stage. I stopped in to check out the sound, and I thoroughly enjoyed the few tunes I caught. They will be headlining Groovefest next weekend, so if you haven't witnessed their clubby, electronic, party grooves, it will be a good opportunity to see them. Melodies and rhythm galore.

 
  • Currently 3.5/5 Stars.
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