Pop
Stephen Carradini
The cumbersomely named “The Trip Side 1: Illusion & Truth” by Dr. Pants suffers no such songwriting problems in its six tracks.
As music videos get played less and less on television, they’re gaining more prominence in our culture. Stuff changes fast. Local artists are taking notice, releasing music videos left and right. Here are three that have recently come across my desk.
OKC acoustic pop singer/songwriter Denver Duncan shot this whole video on a Nokia N8 phone, similar to Dr. Pants’ iPhone 4 video I wrote about previously.
Norman-based Psychedelic band Ghost of Monkshood dropped this trippy video recently, which features mirrors, masks and a pair of disco ball glasses.
Oklahoma transplants Shiny Toy Guns dropped this absolutely gorgeous video and track to announce the return of former lead singer Carah Faye to the band.
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While you’re here, grab these free MP3s:
“Highrise” — Glorie. Instrumental music with a unique vibe that doesn’t go immediately for the epic.
“Lower Away” — Sunshine Factory. The band’s name is truth in advertising. Their picture (above) is not.
“The Big Show” — The Extraordinaires. Funky, jazzy, vintage, poppy and head-bobbingly enjoyable.
After The Non's fantastic set, it was time for some food and beer. No better time to check out Norman's newest Main Street bar and restaurant The Garage, right? Right, especially since it's freaking awesome. I had a fantastic onion buffalo burger that smacked of "made, like, three minutes ago" freshness. I went cheap on the beer (I will not reveal my shame), but my friend had a Spaten Optimator with his buffalo burger. Yes, it's that kind of place. The atmosphere is excellent, too; I hope that it lasts a long time.
Thoroughly revitalized with beer, water and food, I ventured out to K.C. Clifford's set at Brewhouse. David Broyles of Dr. Pants is married to K.C. Clifford, so I saw him for the second time in three hours. He did not dance. He did, however, play acoustic and electric guitar accompaniment to Clifford's acoustic country and folk songs. Clifford's songwriting is of the Blue Door, catch-every-word variety, so it was a bit out of place at the Brewhouse (she mentioned as much, noting that she'd probably never played at a place with so many TVs before). But her sonorous voice, engaging stories and vibrant songwriting kept people focused on her and not the draft. Her lyrics were some of my favorites at the fest. Highly recommended.

I caught a bit of Foot Patrol's set somewhere in the course of the afternoon, and it was about as weird as I expected a foot-fetish dance band led by a blind keyboardist to be. If you were there, you know what I mean. Funky, dancy, weird. Good horn section, too.
Tulsa's And There Stand Empires was another incredibly memorable set from the fest. If The Non had jazzier roots and a tendency to freak out sporadically, they might be an approximation of ATSE's wild instrumental amalgam.

