Drama
Rod Lott
Don't you dare read the back of the box of "In Her Skin" before watching it.

Horror
Rod Lott
In general, I prefer the films of Guillermo del Toro that he doesn’t direct (“The Orphanage,” “Splice”) to the ones he does (particularly “Hellboy” and its sequel). That holds true for “Don’t Be Afraid of the Dark,” which he only co-wrote and co-produced, ceding the director’s chair to newcomer Troy Nixey.

Horror
Rod Lott

In general, I prefer the films of Guillermo del Toro that he doesn’t direct (“The Orphanage,” “Splice”) to the ones he does (particularly “Hellboy” and its sequel). That pretty much holds true for “Don’t Be Afraid of the Dark,” which he only co-wrote and co-produced, ceding the director’s chair to newcomer Troy Nixey.

Television series
Rod Lott
How does a director go from shooting a Barbie-dolls biography of doomed vocalist Karen Carpenter to a prestige miniseries starring perhaps the greatest screen actress of her generation?

Thriller
Rod Lott
With little exception (National Treasure, Kick-Ass, about one minute of Grindhouse), there’s no denying that Nicolas Cage has spent the better part of the past decade in a career slump. Witness such critically lambasted underperformers as The Sorcerer’s Apprentice, Season of the Witch, Bangkok Dangerous and, most recently, Ghost Rider: Spirit of Vengeance.

Sci-Fi
Rod Lott
No matter in what capacity, if Luc Besson's name is on a movie, I will not hesitate to watch. Why? The Transporter, District 13, Kiss of the Dragon, Taken, Unleashed, Ong-Bak, The Professional, La Femme Nikita and most sequels that spawned from those, that's why. (I'll forgive and forget From Paris with Love.)