Horror
Rod Lott
Last summer, the fourth “Final Destination” movie swapped a numeral for a definitive article, because producers figured the franchise had run its course. Then “The Final Destination” made $181 million worldwide, so this summer, we have another chapter, and the numbering system has been reinstated.

Rod Lott
With the success of “Bad Santa” and “Bad Teacher,” the time has come for “Bad Cop.”

Documentary
Rod Lott
Candy Darling would’ve loved “Beautiful Darling,” the documentary of her brief 29 years alive, because, as one of the persons interviewed reveals, the thing that mattered most to her in life was being considered gorgeous enough to grace the silver screen.

Horror
Rod Lott
In general, I prefer the films of Guillermo del Toro that he doesn’t direct (“The Orphanage,” “Splice”) to the ones he does (particularly “Hellboy” and its sequel). That holds true for “Don’t Be Afraid of the Dark,” which he only co-wrote and co-produced, ceding the director’s chair to newcomer Troy Nixey.

Comedy
Rod Lott

The Trip
8 p.m. Friday-Saturday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$8

Drama
Rod Lott
The Mill And The Cross
5:30 and 8 p.m. Saturday, 2 p.m. Sunday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$8

Drama
Matt Carney
Written by Hunter S. Thompson at 24, but unpublished until his early 60s, “The Rum Diary” was a fictionalized account of his besotted time in Puerto Rico, what in reality was a nine-month stint between gigs as a New York City journalist.

Documentary
Rod Lott
Senna
7:30 p.m. Thursday, 5:30 and 8 p.m. Friday-Saturday, 2 p.m. Sunday
Tabloid
7:30 p.m. Wednesday, Sept. 16
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$5-$8

Thriller
Kathryn Jenson White
Community ranks as key on the list of basic human needs. After water, food and shelter, our need to connect with others drives and defines us.