Horror Rod Lott
After four previous films (when you factor in the American Quarantine versions), is there life left in Spain's zombie found-footage franchise? [REC] 3: Genesis responds with a festive "¡Si!"
Action Rod Lott
I still don’t know why Hollywood felt that Spider-Man, all of 10 years young, needed to be remade — I suspect it has to do with selling toys. Enough of calling The Amazing Spider-Man a “reboot,” too; this is a remake through and through.
Television series Rod Lott
Four years ago, cable remade the perfectly fine ’70s sci-fi thriller The Andromeda Strain,
based upon Michael Crichton’s thriller, but needlessly doubled the
running time, thereby cutting its effectiveness in half.
Horror Rod Lott
Aside from re-creating two or three minor scenes, Silent Night in no way could be called a true remake of 1984's extremely controversial Silent Night, Deadly Night.
Flicks about a killer Santa Claus have existed before and since; if not
for the value of a brand-name, this could be just another.
Sci-Fi Rod Lott
I'm not of the opinion that remakes are automatically a bad thing. Without them, we wouldn't have David Cronenberg's The Fly or John Carpenter's The Thing. The difference is that examples like those had a different way of telling the established story.
Rock Louis Fowler
The Flaming Lips’ latest cover album, Playing Hide and Seek with the
Ghosts of Dawn, is a song-by-song remake of King Crimson’s 1969 classic,
In the Court of the Crimson King. Naturally, it’s only available on
hard-to-get, limited-edition colored vinyl.
Comedian James Ngheim remakes the ’90s classic ‘Clerks’ ... kind of.
Features Alyssa Grimley
For local comedian James Nghiem, doing a shot-for-shot remake of Kevin Smith’s influential indie comedy of 1994, Clerks, just sounded like a fun thing to do.
Drama Rod Lott
Vanguard director Takashi Miike is not one to repeat himself, and in Hara-Kiri: Death of a Samurai, he hasn't — not really. Yes, the film is the Japanese filmmaker's follow-up to 2010's 13 Assassins;
yes, both are remakes and focused on samurais. But they approach the
genre from such varying ways that other than excellence, the
similarities end there.
Horror Rod Lott
When I first heard of Mimesis,
I thought it was a great idea: horror fans unwittingly participating in
a live role-playing game that plops them into the classic film Night of the Living Dead. Now that I've seen it, however, I realize I was wrong. It's a terrible idea, and one executed poorly by Dark Fields director Douglas Schulze.
‘Trainspotting’ engineer Danny Boyle delves back into the world of crime with ‘Trance,’ with less-than-hypnotic results.
Thriller Rod Lott
After fiddling around with Oscar a couple of times with Slumdog Millionaire and 127 Hours, director Danny Boyle gets back to doing what he does best: the thriller. However, in Trance, opening today in Oklahoma City, the flashy filmmaker bears a light coat of rust.