Music
Zach Hale
Samantha Crain with Parker Millsap
8 p.m. Saturday
The Blue Door
2805 N. McKinley
bluedoorokc.com
524-0738
$15-$20

Thriller
Rod Lott
Can a bad ending ruin an otherwise OK movie? In the case of The Factory, I believe it can.

Features
Alyssa Grimley
In an unassuming warehouse in south Oklahoma City, the Starship Ajax, destroyer class, is docked and awaiting orders.

Thriller
Phil Bacharach
Generating suspense from a story that is a matter of historical record is no easy thing. That was the primary challenge facing Ben Affleck and Chris Terrio, the director-star and writer, respectively, of Argo, a thriller inspired by a real-life covert operation that helped rescue six U.S. embassy workers out of Iran during the 1979 hostage crisis.

Music
Ryan Querbach
ADDverse Effects with Cadillac Jackson and Dare We Say Pioneers
8 p.m. Saturday
Opolis
113 N. Crawford, Norman
opolis.org
820-0951
$5

Music
Alyssa Grimley
After more than five years of silence, The Red Dirt Radio Hour has returned to the airwaves. The show, which features artists of the Red Dirt genre, has found a new home at 9 p.m. Sundays on KOSU. Based in Stillwater, the public radio station also airs on 91.7 FM in Oklahoma City and streams online at kosu.org.

Comedy
Rod Lott
My favorite of Christopher Guest's mockumentaries is easily 2000’s Best in Show. While I think it helps to be a theater nerd to appreciate 1996’s Waiting for Guffman in full or a folk nut to opt for 2003’s A Mighty Wind, “must love dogs” is no requirement here. Love man’s best friend or hate him, the humor in Best in Show is less inside-baseball than its brothers.

News
Tim Farley
During a Christmas party last year at Paseo Originals Art Gallery, John Belt walked up a flight of steps, looked to the crowd and immediately burst into a booming rendition of “O Holy Night.”

Comedy
Rod Lott
Better than the hit novel on which it’s as faithfully based as budgetary issues allow, John Dies at the End is one of those movies that tries really hard to be a cult movie. In this case, however, the goal has been met; I suspect that, as with most of director Don Coscarelli’s work, from Phantasm and The Beastmaster to Bubba Ho-Tep, we’ll still be discussing this one decades later. That’s not to say it’s without faults.

Horror
Rod Lott
One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.