Horror
Rod Lott
Can director Darren Lynn Bousman survive in a post-Saw world? After the grating steampunk musical misfire Repo! The Genetic Opera, I would have said "no way," but my mindset has been reversed by Mother’s Day and, to a lesser degree, 11-11-11. Ironically, not only were both films denied anything beyond a blip of a theatrical release, but now — insult to injury — they have to compete against one another on home video.











