I’m guessing not many saw 2010’s Tiny Furniture, an imperfect but smart and charming comedy that burst Lena Dunham, its star/writer/director, onto the indie-feature scene. On its strength and reception, Dunham scored a series deal at HBO with none other than Judd Apatow (Bridesmaids) producing.

The result, Girls, debuts at 9:30 p.m. Sunday on HBO. It may deal with the lives of four unmarried, 20-something women in New York City, but this is no Sex and the City, and thank the stars above for that. One of its characters, the shy virgin played by Zosia Mamet (daughter of David, and a recurring player on Mad Men), references that once-zeitgeist hit of female wish-fulfillment fantasy with a fawning voice and goo-goo eyes, but the knock at it is unmistakable, and appreciated.

Dunham, writing wise beyond her years and directing just fine, is front and center as Hannah, who, in the pilot, learns her parents (including Bosom Buddies’ Peter Scolari as her noncombative dad) are cutting the cord of financial support. She’s hopeful her publishing internship will turn into a “real” job, but it doesn’t, and her love life fares no more success. Oh, she’s getting laid on a constant basis — it’s just with the most repulsive, uncaring beast a single gal should never get near.

From the first three half-hour episodes I previewed, it’s clear that the politically incorrect comedy already stands on firm footing, confident in its resolute archness. Example: Episode two, titled “Vagina Panic,” finds a plot in throwing a quasi-party for an abortion to be had by Jessa (Tiny Furniture vet Jemima Kirke, the show’s weakest link), so indeed, Girls isn’t for everyone. A skewed sense of humor is a must.

Dunham is in danger of having the entire show stole from under her by Hannah’s bitchy roommate, Marnie (Allison Williams, daughter of NBC News anchor Brian Williams), but hey, isn’t that just like real life? Here’s hoping the remainder of its freshman season are as diabolically winning. —Rod Lott

I couldn’t tell from the postcard we got in the office, but the locally shot film Bad to the Jones is a zombie comedy. The trailer below makes that completely clear.

If the undead makes your attention come alive, boy, are you in luck! Marlon Ladd’s Bad to the Jones screens at 8 p.m. tomorrow, May 3, at Cinemark Tinseltown, 6001 Martin Luther King, with arrivals at 7 p.m. Should be fun, but there’s one hitch: Tickets must be ordered at badtothejones.com, as you can’t get them at the theater. Click away for a tale of two brothers and a city under siege! —Rod Lott