Tag Archives: Hip Hop/Rap


Album review: Deus Eyeslow — Lyrical Voodoo

Album review: Deus Eyeslow — Lyrical Voodoo

With his third mixtape, Lyrical Voodoo, Deus Eyeslow feels primed and ready to ascend to the local scene’s upper echelon rather than fall back with the rest of the pack. The charismatic record is chock-full of whip-smart, progressive party rap brought to life with an ease that’s hard to come by — a glassy-eyed daze but racing mind echoing Curren$y or Schoolboy Q.

the understanding cover

Willis — The Understanding

From the opening R&B samples and powerful horn section that triumphantly blasts the arrival of a new hero on the scene, Willis’ The Understanding perfectly captures the inner-city swagger of a blaxploitation movie icon. Strutting through these dirty streets like he is God almighty, Willis unashamedly kicks the doors in and sits at the head of

Jabee — Everything Was Beautiful and Nothing Hurt

Jabee has, in turn, proven to be a worthy ambassador for the state and to its youth, one who has been chomping at the bit to stretch his legs beyond its borders. That turn comes with Everything Was Beautiful and Nothing Hurt, released nationally through the Murs 316 imprint, owned by renowned LA emcee Murs.

Apocalyptic — Wisdom Mixtape Vol. 1

In 2012, Robbie “Apocalyptic” Carpenter, former member of the legendary OKC rap collective Exodus, released the 20-track underground masterpiece Literary, a collection of sanctified hip-hop that was as rapid-fire with the rhymes as much as he is on fire for his Lord and Savior. It turns out it’s Carpenter’s mission to have the listener believe

Soul Williams — Love, Soul: The Musical Letters Collective, Part 1

With a humble swagger and beats that could knock down the walls of Jericho, Williams’ newest album fills the pews with a low-down gospel message that, refreshingly, isn’t afraid to pull out a whip and strike down the false prophets crowding the temples of the holy. For example, the second track, “Revolutionary Minds” — co-written

Takeoff Eyeslow — The Prescription

So if Kanye wants to go off on his Alan Vega/Suicide jag, let him. We have a homegrown replacement right here in Takeoff Eyeslow, dropping an album that is a better follow-up to Graduation than anything West has done since. On The Prescription, the Norman rapper exudes sleepy passion. The first track, “Papa Robert,” doesn’t

Kanye West — Yeezus

Ego alone isn’t what makes Mr. West such a fascinating figure; any other schmo with a head his size would be scoffed and discarded as parody. There’s actually a certain degree of legitimacy that keeps his maniacal sense of self-importance from devolving into full-scale megalomania: that Kanye’s vision and production chops are currently unmatched in

Joe Average — The Lullaby Goodbye

The latest evidence of that is The Lullaby Goodbye. The newest project from OKC-by-way-of-Arkansas rapper Joe Average reads like the offspring of Kid Cudi and Citizen Cope, a soulful record that recalls Belize as much as Brooklyn. “The Reaching,” an assured bonfire ballad that sounds like the few moments before falling asleep, is bookended by

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